鶹Լ

Leading the Way: Part 5 of 5 — Nila Rajagopal

Gain insight into Schulich conductors and directors. These women are Leading the Way.
We’re excited to see women taking the lead on the podiumand in the director’s chair. With that in mind, we’ve asked some of our graduate students in conducting and directing afew questions about whothey are, and what they do.

Join us over the next few weeks and get to know these formidable talents as they build their careers and shape our musical landscape.


Nila Rajagopal

Hailing from Ottawa, ON, 鲹ᲹDZ貹(MMus'21)  has quickly established herself as a promising choral conductor. She  is currently enrolled in theMaster’s program in Choral Conducting at the Schulich School of Musicunder the tutelage of Dr. Jean-SébastienValléeand previously studied voice and music education at the University of Toronto.

Nila’scollaborative spirit has granted herconductorpositions with organizations such as theSt. Lawrence Choir,theOakville Choir for Children and Youth,theToronto Children’s ChorusandtheMississauga Summer Chorale. Increasingly recognized for her promising musical excellence,Nilawas the recipient of the 2016 Doreen Rao Choral Award, the 2019IwanEdwards Award and the 2019 Ken Fleet Choral Conducting Scholarship.Nilaalso maintains an active career as afreelancechoral soprano.Widely known for her accuracy and tone,shehas performed with theOttawa Bach Choir,Pax Christi Chorale, the Toronto Festival Singers, the St. Basil’s Catholic Parish Schola Cantorum and the Choir of Grace Church on-the-Hill. Nila was also selected to perform in highly regarded honour choirs such as the Ontario Youth Choir, the National Youth Choir of Canadaand the World Youth Choir.

Committed to the future of choral music in Canada,Nilais alsoOffice Coordinatorat Choral Canada, Canada’s National Arts Service Organization for choral music, where she takes a key part in planning essential choral programs such asthePodiumconference & festival, the National Competition for Canadian Amateur Choirs, and the National Youth Choir of Canada.


Nila's master’s recital will be webcast live on Friday, April 9 at 7:00 pm


Is there a moment that brought you to now — one that changed your course or confirmed it? 

There were so many moments.But the turning point for me was whenIsang with the National Youth Choir of Canadawith MichaelZauggin 2016.Up until that point, I thought I would become asolosinger, but after spending weeks rehearsing,touring, and making music at an incredibly high levelwith theensemble,I knew choir was my home. That’s whenI realized I wanted to be a choral conductor.I had alwaysthought I loved choir because I loved singing,whenin fact I loved singing because I loved choir.

What do you see as the role and responsibility of a conductor/director?

I think every conductor sees their role in a unique way. To me, it’s about inspiring the singers. If I can get them to love singing and to love the music we are doing, that’s the most important thing.Then, we can make beautiful music together.

What’s the toughest thing about conducting? What’s the easiest or most fun?

Although my degree has helped improve my confidence, I still often find myselfdealing with imposter syndrome. When I stand on the podium and look at thesingers in front of me,Istillask myself why I deserve to be leading all these musicians.Some days I find the answer and others I don’t, but what I do know isI am really grateful to have this opportunity.

I am a people person, so the social aspect of choir is very enjoyable for me.As a child, I briefly studied piano and it never really spoke to me because everything about it was so lonely: practicing alone, performing solos on stage… Butwhen I conduct a choir, I get to meet so many wonderful people and feel each individual’s energy and personality in the room, and that brings me so much joy.

What advice would you give to your starting-at-university self?

Sometimes, less is more.I tend to take onwaytoomuchand as a result I am spread too thin and don’t perform as well as I want. If you can do a bit less, but give it your all,you will gain so much more in the end.

What was the most surprising thing you learned during your degree?

When I started my degree,I was constantly questioning myself about whether I was doing the right thingon the podium. Workingwith so many incredible professors and colleagues, I started to realize thatmostofthetime, thereis noright or wrong wayandthatconducting is more about passion, creativity, and artistic vision.This new way of thinking has really helped me grow as a conductor.

Tell me a little about your upcoming Master’srecital. 

My graduating recital,Delivrans, will take place on April 9,at7pm andwill beavailable to watch online().The concert is named aftera specificpiece in my program that inspired the theme:Delivransby Sydney Guillaume. The Haitian Creole word “Delivrans” translates to “deliverance,” and so my program revolves around the theme of freedom: searching for freedom, finding freedom, etc.Ilook forwardto performingmusic I loveandsharing the stage with an incredible group of musicians.

If you had a mantra/philosophy/phrase that sums up where you are now, what would it be?

“Nothing worth having comes easy.” We often getdiscouraged when things getdifficult, but it also makesusrealize what is worth fighting for.

Dream piece to conduct/direct?

There are so many!But I would have to say it’s a tie between the Brahms Requiem and Mendelssohn’s Elijah.

Conductor(s)/leaders you admire?

I know you might be expecting me to name celebrities here, but the people I admire the most are mentors and teachers who personally impacted my life. To name a few: HilaryApfelstadt, Jean-SébastienVallée, RobertFilion, Elise Bradley, MichaelZaugg… They made me who I amtodayand I am eternally grateful.

What do you want to see/hear more of in your field?

As a woman ofcolour,I’ve always beenfrustratedby thelack of representationin my field.We needto see more female-identifying, transgender, genderqueer,non-binary,queer, andBIPOC artists in leadership positions in the arts.

On a less serious note, I find classical music to be extremely elitist and I would love to see more classical musicians enjoying other styles of music. I personally lovepop, indie-folk and Disney songs, and I don’t think that makes me any worse at classical music! :-)


Discover more and stay up to date with Nila's projects on her website:

Nila Rajagopal conducting the audience from the stage of Roy Thompson Hall
Nila Rajagopal conducting the audience from the Roy Thompson Hall stage in 2018


Nila's master’s recital will be webcast live on Friday, April 9 at 7:00 pm
Check out the program here



All articles from the Leading the Way series:

Read Leading the Way: Part 1 of 5 — Kelly Lin here
Read Leading the Way: Part 2of 5 — Angela Hemingway here
Read Leading the Way: Part 3 of 5 — Sawyer Craig here
Read Leading the Way: Part 4of 5 — Melissa Tardifhere

Back to top