鶹Լ

Retired Faculty

Dorothy Bray

Position:Associate Professor (Retired)

Stream:ٱٳܰ

ٱ𲵰():

B.A. (鶹Լ);
Ph.D., Celtic Studies (Edinburgh)

Previously Taught:McMaster University, University of Durham

Area(s): Medieval studies, Celtic and Anglo-Saxon; early Irish hagiography; heroic tradition; Celtic folklore and mythology; women saints and women’s spirituality

Selected Publications:

Books

  • A List of Motifs in the Lives of the Early Irish Saints (Academia Scientiarum Fennica, 1993)

Articles and Chapters

  • ‘The Vita Prima of St. Brigit: A Preliminary Analysis of Its Composition.’ Narrative in Celtic Tradition: Essays in Honour of Edgar M. Slotkin. Ed. Joseph F. Nagy. CSANA Yearbook 8-9 (Colgate University Press), 1-15.
  • ‘Ireland’s Other Apostle: Cogitosus’ Saint Brigit.’ Cambrian Medieval Celtic Studies 59 (Summer 2010): 55-70.
  • ‘Further on White Red-Eared Cows in Fact and Fiction.’ Peritia 19 (2005): 239-255.
  • ‘Miracles and Wonders in the Lives of the Early Irish Saints’ in Celtic Hagiography and Saints’ Cults, ed. Jane Cartwright (Cardiff: University of Wales Press, 2002): 136-147.
  • ‘Malediction and Benediction in the Lives of the Early Irish Saints.’ Studia Celtica 36 (2002): 47-58. [published March 2003]
  • ‘The Study of Folk-Motifs in Early Irish Hagiography: Problems of Approach, and Rewards at Hand.’ In Studies in Irish Hagiography: Saints and Scholars, ed. John Carey, Máire Herbert, Pádraig Ó Riain (Dublin: Four Courts Press, 2001): 268-277.
  • "Suckling at the Breast of Christ: a spiritual lesson in an Irish hagiographical motif." Peritia 14 (2000): 282-296.
  • "The Manly Spirit of St. Monenna," in Celtic Connections, Vol. 1, ed. R. Black et al. (East Linton, 1999): 171-181.
  • "Secunda Brigida: Saint Ita of Killeedy and Brigidine Tradition", in Celtic Languages and Celtic People (1992): 27-38.
  • "Heroic Tradition in the Lives of the Early Irish Saints," in Proceedings of the First North American Congress of Celtic Studies (1988): 261-71.
  • "The Image of St. Brigit in the Early Irish Church," Études Celtiques 24 (1987): 209-215.
  • "Allegory in the Navigatio Sancti Brendani," Viator 26 (1995): 1-10.

Awards, Honours, and Fellowships:

  • FCAC Bourse de recherche, British Council Personal Grant

Michael Bristol

ʴDzپDz:Professor (Retired)

Stream:ٱٳܰ

ٱ𲵰():

B.A. (Yale)
Ph.D. (Princeton)

():Renaissance literature; Shakespeare; Shakespeare and contemporary popular culture; questions of moral agency in Renaissance drama;sociology of literature

Selected Publications:

Books

  • Big Time Shakespeare(1996)
  • Shakespeare's America / America's Shakespeare(1990)
  • Carnival and Theatre: Plebian Culture and the Structure of Authority in Renaissance England(1985)

Articles and Chapters

  • "Funeral Baked Meats: Carnival and the Carnivalesque in Hamlet," inWilliam Shakespeare: Hamlet Case Studies(1994): 348-368.
  • "Where Does Ideology Hang Out?" inShakespeare Right and Left(1991): 31-43.
  • "Chivarari and the Comedy of Abjection inOthello," inTrue Rites and Maimed Rites(1992): 75-98.
  • "In Search of the Bear: Spatio-Temporal Form and the Heterogeneity of Economies inThe Winter's Tale,"Shakespeare Quarterly, 41 (Summer 1991): 145-68.
  • "Lenten Butchery: Legitimation Crisis in Coriolanus," inShakespeare Reproduced: The Text in History and Ideology(1987).

Awards, Honours, and Fellowships:

  • David Thomson Award for Excellence in Graduate Supervision

Max Dorsinville

Position: Professor (Retired)

Degree(s):

  • B.A., M.A. (Sherbrooke)
  • Ph.D. (C.U.N.Y.)

Area(s): Caribbean, Postcolonial and Modernist literature;Modernism; fiction; Derek Walcott's poetry; Memorial Postcolonial Writing

Selected Publications:

  • (.)1946: Le Journal de Robert Brémont(Montreal: CIDIHCA, 2008) (forthcoming)
  • (.)Le Monde de Robert Brémont(Montreal: CIDIHCA, 2007)
  • (հԲ.)A Brief History of the Black Communities in Canada(Montreal: CIDIHCA, 2007)
  • (.)L’Ombre de Duvalier(Montreal: CIDIHCA, 2007)
  • (.)Mémoires de la décolonisation(Montréal: Editions Mémoire d'Encrier, 2006)
  • (ܳٳǰ)A Haitian's Coming of Age in 1959. (2005)
  • (author) “Roger Dorsinville en trois temps” in M-A Sourieau and K. Balutansky, eds.Écrire en pays assiégé/ Haïti / Writing Under Siege(New York, Amsterdam: Rodopi, 2004)
  • (ܳٳǰ)Understanding Contemporary Cuba in Visual and Verbal Forms(2004).
  • (.)Pour célébrer la terre suivi de Poétique de l'exil(2004).
  • (.)The Collected Edition of Roger Dorsinville's Postcolonial Literary Criticism in Africa, 2 vol. (2003).
  • (Ed. and trans.)A Critical Edition of Haitian Writer Roger Dorsinville's Memoirs of Haiti(2002).
  • (Ed. and trans.)A Critical Edition of Roger Dorsinville's Memoirs of Africa(2002).
  • (Ed. and trans.)Postcolonial Stories...: In the Shadow of Conrad's Marlow(2001).
  • (Ed. and trans.)The Rule of Francois ("Papa Doc") Duvalier...: Realism and Magic Realism in Haiti(2000).
  • (author) "The Heat of Home: Metaphors of Incorporation in Derek Walcott's Poetry,"Anglistica3:1 (1999), 33-58.
  • Erzulie Loves Shango(Novel) (1998).
  • "Ronald Sutherland," inThe Oxford Companion to Canadian Literature. (2nd ed. 1997): 103-104.
  • James Wait(Novel) (1995).
  • (徱ٴǰ)Rites de passage10 vols (Port-au-Prince: Deschamps, 1990)
  • Solidarités: Tiers-Monde et littérature comparée(1988).
  • Le Pays natal: Essais sur les littératures du Tiers-Monde et du Québec(1983).
  • Caliban without Prospero: Essay on Quebec and Black Literature(1974).

Awards, Honours, and Fellowships:

  • Canada Council Leave Fellowship
  • Humanities Research Council and Multiculturalism Directorate Publication Grants
  • 鶹Լ Graduate Faculty International Travel and Research Grants

Berkeley Kaite

Position:Associate Professor (Retired)

ٰ𲹳:Cultural Studies

ٱ𲵰():

B.A. (Concordia)
M.A. (McMaster)
Ph.D. (Carleton)

Previously Taught:Carleton University, Simone de Beauvoir Institute - Concordia University

():feminist cultural studies; cultural memory and popular media; the body

Selected Publications:

Books

  • Editor,Menstruation Now: What Does Blood Perform?(Demeter, 2019)
  • Pornography and Difference(1995)

Articles and Chapters

  • “Bloody Jackie: how menstrual blood speaks for Jacqueline Kennedy Onassis’s silence” inMenstruation Now: What Does Blood Perform?(2019)
  • “Camelot: the violence and the ecstasy,”Teorija in Praksa.5-6, Sept-Dec (2013)
  • “Fetish Operations in the Photographs of Sally Mann,”Mothering and Psychoanalysis, ed., Petra Bueskens. Toronto: Demeter Press (2014)
  • Reviews of Canadian Cultural Poesis;Caught: Montréal’s Modern Girls and the Law, 1869-194;, and,Types of Canadian Women in Canadian Literature
  • “The Pink Suit: Jacqueline Kennedy Onassis and Celebrity Defilement,”Celebrity Studies.

Awards, Honours, and Fellowships:

  • SSHRC Postdoctoral Fellowship

Leanore Lieblein

ʴDzپDz:Professor (Retired)

ٰ𲹳:Literature

ٱ𲵰():

B.A. (City College of New York)
M.A., Ph.D. (Rochester)

Previously Taught:City College of New York, University of Rochester

Area(s):drama and dramatic theory, Renaissance literature;Shakespeare in France and French Canada; the Shakespearean body; the concept of character

Selected Publications:

Books

  • A Certain William: Adapting Shakespeare in Francophone Canada(2009)

Articles and Chapters

  • “Embodied Intersubjectivity and the Creation of Early Modern Character.” InShakespeare and Character: Theory, History, Performance, and Theatrical Persons, ed. Paul Yachnin and Jessica Slights (2009).
  • “Pourquoi Shakespeare?” inShakespeare: Made in Canada, ed. Daniel Fischlin and Judith Nasby (2007)
  • “Nuancing Diversity: The Boyokani CompanyHamlet.”alt.theatre: Cultural Diversity and the Stage, 4.2-3 (May 2006): 22-24; 31.
  • “Corporeal Ecology and European Otherness on the Shakespearean Stage.” InShakespeare et l’Europe de la Renaissance, ed. Pierre Kapitanik (2004).
  • “My breasts sear'd": The Self-Starved Female Body and A Woman Killed with Kindness.” (With Christopher Frey.)Early Theatre, 7.1 (2004): 45-66.
  • “Le Re-making of Le Grand Will” In “A World elsewhere?”:Canadian Shakespeare, ed. Diana Brydon and Irena Makaryk (2002).
  • “Interrogating the Shakespearean Body,”CTR111 (Summer 2002): 15-21.
  • “Shakespeare in Francophone Quebec,” Internet Shakespeare Editions.
  • “Alfred Pellan, Twelfth Night, and the Modernist Shakespeare” (with Patrick Neilson),Shakespeare Yearbook11 (2000): 389-422.
  • Editor, “Traversees de Shakespeare” (Dossier),L'Annuaire Theatral, 24 (automne 1998): 9-138.
  • “Theatre Archives at the Intersection of Production and Reception,” inTextual and Theatrical Shakespeare: Questions of Evidence(1996).
  • “`Les Grecs' à la francaise,”TRI18.2 (1993): 123-37.
  • “East Berlin Theatre Diary,”JDTC6 (Fall 1991): 106-23.
  • “Translation and Mise-en-Scène,”JDTC5 (Fall 1990:81-94.
  • “The Politics of Renaissance Culture,” inL'Europe de la Renaissance(1989): 49-64.
  • “Flexible Iconography: The Experience of the Spectator of Medieval Religious Drama,”Le Moyen francais19 (1988): 135-47.
  • “Jan Kott, Peter Brook, and King Lear,”JDTC1.2 (1987): 39-49.
  • Co-translator ofLes Esbahis(1561).
  • Director ofEveryman, Calderon de la Barca'sLife Is a Dream, Timberlake Wertenbaker'sThe Love of the Nightingale, theTowneley Pharaoh, andSlaying of Abel; co-director of George Peele'sOld Wives Tale.

Kerry McSweeney

ʴDzپDz:Molson Professor of English (Retired)

Stream: Literature

Degrees:

B.A., Ph.D. (University of Toronto)

Previously Taught:Queen's University, University of Warwick, University of Victoria

Area(s): 19th- and 20th-century fiction and poetry; aesthetic readings of poems and short stories

Selected Publications:

Books

  • The Realist Short Story of the Powerful Glimpse: Chekhov to Carver (2007).
  • What’s the Import? Nineteenth-Century Poems and Contemporary Critical Practice (2007).
  • The Language of the Senses: Sensory-Perceptual Dynamics in Wordsworth, Coleridge, Thoreau, Whitman, and Dickinson (1998).
  • Supreme Attachments: Studies in Victorian Love Poetry (1998).
  • George Eliot: A Literary Life (1991; 1996).
  • "Invisible Man": Race and Identity (1988).
  • "Moby-Dick": Ishmael's Mighty Book (1986).
  • "Middlemarch" (1984).
  • Four Contemporary Novelists: Angus Wilson, Brian Moore, John Fowles, V.S. Naipaul (1983).
  • Tennyson and Swinburne as Romantic Naturalists (1981).
  • Elizabeth Barrett Browning.Aurora Leigh. Oxford World’s Classics (1993; third printing 1994; reissued 1998).
  • Thomas Carlyle.Sartor Resartus(with Peter Sabor). Oxford World’s Classics (1987; reprinted1991; reissued 1999)
  • Angus Wilson.Diversity and Depth in Fiction: Selected Critical Writings(1983).

Articles and Chapters

  • "Dream Representations inWuthering Heights,Crime and Punishment, andWar and Peace."Symposium59 (2005): 163-78.
  • "Literary Allusion and the Poetry of Seamus Heaney."Style33 (1999): 130-43.
  • "David Copperfieldand the Music of Memory."Dickens Studies Annual23 (1994): 93-119.
  • "Intimations of Wordsworth in A. M. Klein's ‘Autobiographical’."Canadian Poetry35 (1994): 74-9.
  • "The Silver-Grey Discourse of The Music of Time."English Studies in Canada18 (1992): 43-58.
  • "The Ending ofThe Mill on the Floss."English Studies in Canada12 (1986): 55-68.
  • "Mordecai Richler."Canadian Writers and their Works, fiction Series vol. 6 (1985).
  • "Salinger Revisited."Critical Quarterly20 (1978): 61-68

Patrick Neilson

Position:Associate Professor (Retired)

Stream: Drama & Theatre

Degree(s):

B.A. (Bishop's)
M.F.A. (Calgary)

Area(s):theatre design, theatre history; design for Shakespeare, Canadian designers and stage design; theatrical iconography; theatrical use of non-theatre spaces

Selected Designs:

  • The Duchess of Malfiby Webster (1994).
  • King Johnby Shakespeare (1994).
  • Ten Lost Yearsby G. Luscombe (1994).
  • Rubber Dollyby D. Hannah (1990).
  • Twelfth Nightby Shakespeare (1991).
  • Bonjour, là, Bonjourby M. Tremblay (1991).
  • DirectedThe Rivals(1990).
  • Set and costume design forThe Ecstasy of Rita Joe(1989).

Peter Ohlin

Position: Professor (Retired)

Area(s): Swedish cinema (in particular the works of Ingmar Bergman); and American Literature (especially the works of F. Scott Fitzgerald and James Agee)

Selected Publications:

  • "The Holocaust in Ingmar Bergman's Persona: The Instability of Imagery."Scandinavian Studies77.2 (Summer 2005): 241-274.
  • "Bergman's Nazi Past."Scandinavian Studies
  • Wordless Secrets: Ingmar Bergman's Persona and the Modernist Project. Forthcoming inStudies in Nordic Cinema and Literature.

Peter Sabor

Position: Distinguished James 鶹Լ Professor, Director of the Burney Centre (Retired)

Stream: Literature

Degree(s):

Ph.D. (London)
M.A. (Queen’s)
M.A. (Cambridge)
B.A. (Cambridge)

Previously Taught: Laval University, Queen’s University, University of Calgary

Area(s): fiction; archives and bibliography; restoration and eighteenth-century literature; book history; history & theory of the novel; textual editing

Selected Publications:

Books and Edited Volumes

  • (Volume II- 1791-1840), ed. (Oxford University Press, 2018).
  • ,ed. withBetty A. Schellenberg (Cambridge University Press, 2017).
  • The Cambridge Edition of the Correspondence of Samuel Richardson. , 3 vols., ed. (Cambridge University Press, 2016).
  • , ed. (Cambridge University Press, 2015).
  • , ed. withLinda Bree and Janet Todd (Broadview Press, 2012).
  • , ed. with Fiona Ritchie (Cambridge University Press, 2012).
  • (Volume 1 - 1786), ed. (Oxford University Press, 2011).
  • , ed. with Paul Yachnin and Fiona Ritchie (Ashgate, 2008).
  • , ed. (Cambridge University Press, 2007).
  • ,in The Cambridge Edition of the Works of Jane Austen (Cambridge University Press, 2006).
  • ,co-author with Thomas Keymer (Cambridge University Press, 2005).
  • , ed. with Nicole Côté (Peter Lang, 2002).
  • The Pamela Controversy: Criticisms and Adaptations of Samuel Richardson’s Pamela, ed. with Thomas Keymer, 6 vols. (Pickering & Chatto, 2001).
  • The Complete Plays of Frances Burney, ed. with Stewart Cooke and Geoffrey Sill, 2 vols. (Pickering & Chatto, 1995).
  • Samuel Richardson: Tercentenary Essays, ed. with Margaret Anne Doody (CUP, 1989).
  • Horace Walpole: The Critical Heritage(Routledge, 1987).
  • Horace Walpole: A Reference Guide(G.K. Hall, 1984).
  • Editions of works by Samuel Richardson, Sarah Fielding, John Cleland, Horace Walpole, Frances Burney, Jane Austen, and Thomas Carlyle for Penguin, University Press of Kentucky, Pickering & Chatto, Broadview, Juvenilia Press, and OUP.

Awards, honours, and fellowships:

  • Visiting Fellow, St Edmund Hall, Oxford, January-March 2020
  • Visiting Fellow Commoner, Trinity College, Cambridge, January-March 2019
  • Royal Society of Canada Fellow, 2008
  • Visiting Fellow, Magdalen College, Oxford, January-March 2016
  • Traveling Lecturer, Jane Austen Society of North America, 2016-2018
  • Donald and Mary Hyde Fellow, Houghton Library, Harvard University, October 2015
  • Visiting Fellow, Chawton House Library, August 2015
  • Canada Research Chair, 2017-2024, 2010-2017, 2003-2010
  • SSHRC Insight Grant, 2012-2017
  • SSHRC Standard Research Grants, 2009-2012, 2006-2009, 2002-2005, 1999-2002, 1996-1999
  • Marjorie Wynne Fellow, Beinecke Library, Yale University, May 2008

Denis Salter

ʴDzپDz:Associate Professor (Retired)

Stream: Drama & Theatre

Degree(s):

B. A. (UBC)
M.A. (University of Toronto)
Ph.D. (University of Toronto)

Previously Taught:University of Calgary, University of Leeds (Visiting Professorship), Dalhousie University

Area(s): history of Shakespeare in performance; Canadian drama and theatre; twentieth and twenty-first century drama; Victorian and Edwardian stage history; dramaturgy, theory, and criticism; dvidence-based theatre historiographies; issues in cultural pluralism, social activism, politics, and the stage; problematic keywords in (Canadian) theatre historiography

Selected Publications:

Articles and Book Chapters

  • “Teaching, Performing and Responding to Shakespeare in Multicultural (Postcolonial) Canada and Quebec.” Revised essay printed inCanadian Shakespeare, ed. Susan Knutson. Toronto: Playwrights Canada Press, 2010. [42]-53.
  • “On Native Ground: Canadian Theatre Historiography and the Postmodernism/Post-colonialism Axis.” Reprinted inTheatre Histories, ed. Alan Filewod. Toronto: Playwrights Canada Press, 2009. 115-123.
  • “A Woman of Many Parts,” published in the Souvenir Program for the Shaw Festival’s 2009 production of Michel Tremblay’sAlbertine In Five Times, translated by Linda Gaboriau and directed by Micheline Chevrier.
  • “(Im)possible Worlds: The Plays of Sharon Pollock.” Reprinted inSharon Pollock, ed. Sherrill Grace and Michelle La Flamme. Toronto: Playwrights Canada Press, 2008. 13-32.
  • “Change the World, One Play at a Time: Teesri Duniya Theatre and the Aesthetics of Social Action: Denis Salter talks with Rahul Varma, Ted Little and Jazwant Guzder.”Canadian Theatre ReviewNo. 125 (Winter 2006): [69]-74.
  • “Exile, Return and the New South Africa: An Interview with Anthony Akerman.”SouthAfrican Theatre Journal18 (2004): [255]--276.
  • “The Performance of Their Lives: Laurence Irving, Mabel Hackney, andthe Empress ofIreland.”First Knight: The Journal of the Irving Society7.1 (June 2003): 13-51.

Awards, Honours, and Fellowships:

  • Richard Plant Prize (Best Article in English) of the Association for Canadian Theatre Research (now the Canadian Association for Theatre Research)forBetween Wor(l)ds: Lepage’s Shakespeare Cycle.” In Theater sans frontières: Essays on the Dramatic Universe of Robert Lepage, ed. Joseph I. Donohoe, Jr. and Jane M. Koustas. East Lansing: Michigan State University Press, 2000. 191-204. 2004.

  • Richard Plant Prize (Best Article in English) of the Association for Canadian Theatre Research (now the Canadian Association for Theatre Research) for “Hector Willoughby Charlesworth and the Nationalization of Cultural Authority, 1890-1945. In Establishing Our Boundaries: English-Canadian Theatre Criticism, ed. Anton Wagner. Toronto: University of Toronto Press, 1999. [137]-76.2000.

Brian Trehearne

Position: Professor (Retired)

Stream: Literature

Degrees:

B.A., M.A., Ph.D. (鶹Լ)

Previously Taught:University of Western Ontario, Queen's University

Area(s):Canadian literature to 1970, chiefly poetry

Selected Publications:

  • Editor,The Complete Poems of A.J.M. Smith(2007).
  • The Montreal Forties: Modernist Poetry in Transition(1999).
  • "Critical Episodes in Montreal Poetry of the 1940s"Canadian Poetry: Studies, Documents, Reviews41 (1997).
  • Aestheticism and the Canadian Modernists: Aspects of a Poetic Influence(1989).
  • Editor ofStandish O'Grady, The Emigrant(1989).

Awards, Honours, and Fellowships:

  • SSHRC Standard Research Grants
  • Twice winner of Louis Dudek Award for Excellence in Teaching

David Williams

ʴDzپDz:Professor (Retired)

Degree(s):

B.A. (Boston)
M.A., Ph.D. (Toronto)

Previously Taught:Kennedy Smith Professor of Catholic Studies (Professor Emeritus)

():Chaucer, the grotesque, Bible, Saints' Lives, mediaeval language theory, Catholic Studies; the interrelation of text, image, and cult in hagiographical narrative; the nature of the ontology of word in biblical and poetic language

Selected Publications:

Books

  • Language Redeemed: Chaucer's Mature Poetry(2007).
  • Chaucer and LanguageEds. Robert Myles and David Williams (2001).
  • Deformed Discourse: The Function of the Monster in Mediaeval Thought and Literature(1996).
  • Chaucer's Canterbury Tales: A Literary Pilgrimage(1987).
  • Cain and Beowulf: A Study in Secular Allegory(1982).

Articles

  • "'Lo how I vanysshe': The Pardoner's War against Signs." inChaucer and Language. (2001)
  • "Attentio, Intentio, Distentio: Intentionality and Chaucer's Third Eye,"Florelegium15 (1997).
  • "From Grammar's Pan to Logic's Fire: Intentionality and Chaucer's Friar's Tale," inLiterature and Ethics(1988): 77-95.
  • "Wilgeforte--Patron Saint of Monsters--and the Sacred Language of the Grotesque," inScope of the Fantastic(1985): 171-77.
  • "Radical Therapy in 'The Miller's Tale,'"Chaucer Review5.3 (1981): 227-35.
  • "Flannery O'Connor and the Via Negativa,"Sciences Religieuses8.3 (1979): 304-12.
  • "Exile as Uncreator,"Mosaic8.3 (1975): 1-14.

Awards, Honours, and Fellowships:

  • Raymond Klibansky Prize for the Most Outstanding Book in the Humanities, for: "Deformed Discourse: the Function of the Monster in Mediaeval Thought and Literature."

Myrna Wyatt Selkirk

ʴDzپDz:Associate Professor (Retired)

Stream: Drama & Theatre

Degree(s):

The Vancouver Playhouse Acting School
M.F.A. (Illinois)
B.A. (Alta)

Area(s): directing and acting for the theatre; creative practice & performance studies, embodied practice & ethnographic approaches; text interpretation through movement; identity & representation; clown and mask; audience/actor relationship.

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