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All items listed here are copyrighted 2002-2024 by Caroline Palmer, her co-authors, and/or the respective journals. Usage of the following documents to make digital or hard copies for personal use is accepted as long as this notice and the full citation of the paper(s) appear on top of the copies' first page. Other usage requires specific permission and/or a fee.
2024
Plitchenko, P., Bégel, V., & Palmer, C. (2024). .ÌýFrontiers in Human Neuroscience,Ìý18, 1381232.Ìý
Coleman, N., Palmer, C., & Pfordresher, P.Q. (2024). ÌýMusic & Science,Ìý7, 1–9.
Bégel, V., Demos, A.P., & Palmer, C. (2024)Ìý. Scientific Reports,Ìý14(1), 9930.Ìý
Wright, S. E., & Palmer, C. (2024). Cardiac dynamics in auditory-motor synchronization: Roles of short-term training and rhythm complexity. Auditory Perception & Cognition, 7(2), 86–109.ÌýÌý
van Kerrebroeck, B., Wanderley, M.M., Demos, A.P., & Palmer, C. (2024). In L. K. Samuelson, S. L. Frank, M. Toneva, A. Mackey, & E. Hazeltine (Eds.),ÌýProceedings of the 46th Annual Conference of the Cognitive Science Society.
2023
Wright, S.E., & Palmer, C. (2023)Ìý.ÌýPLoS One,Ìý18(11): e0293882.Ìý
Palmer, C., & Demos, A.P. (2023). , 47, 102-103.Ìý
Demos, A.P., & Palmer, C. (2023).ÌýTrends in Cognitive Sciences. 12, 1107-1108.Ìý
Demos, A.P. & Palmer, C. (2023)Ìý.ÌýTrends in Cognitive Sciences, 11, 1008-1018.ÌýÌý
2022
Tranchant, P., Scholler, E., & Palmer, C. (2022)
Ìý Endogenous rhythms influence musicians' and non-musicians' interpersonal synchrony.ÌýScientific Reports, 12, 12973.Ìý
Bégel, V., Demos, A.P., Wang, M., & Palmer, C. (2022)..ÌýÌýFrontiers in Psychology, doi:Ìý
Slater, J., Joober, R., Koborsy, B.L., Mitchell, S., Sahlas, E., & Palmer, C. (2022).ÌýÌýNeuroscience & Biobehavioral Reviews, 139, 104752.
Palmer, C., & Demos, A.P. (2022). Are we in time? How predictive coding and dynamical systems explain musical synchrony. Current Directions in Psychological Science, 31, 147-153.
Wright, S.E., Bégel, V., & Palmer, C. (2022).Ìý. Cambridge: Cambridge University Press. doi:10.1017/9781009043359
Baa Baa Black Sheep at 5 tempi: 
slow, moderate, lively, fast, faster
2021
Wright, S.E, & Palmer, C. (2021). Chronobiology International, 39:2, 186-197.Ìý
Zamm, A., Palmer, C., Bauer, A.-K., Bleichner, M.G., Demos, A.PÌý & Debener, S. (2021).Ìý. Frontiers in Human Neuroscience, 15, 717810.Ìý
Scheurich, R., Palmer, C., Kaya, B., Agostino, C., & Sheldon, S. (2021). . PLoS One,Ìý16(4): e0249950.Ìý
Pfordresher, P., Greenspon, E., Friedman, A., & Palmer, C. (2021). .ÌýFrontiers in Psychology,Ìý12, 611867.Ìý
Chew, E., P. Loui, G. Leslie, C. Palmer, J. Berger, E. Large, N. F. Bernardi, S. Hanser, J. F. Thayer, M. Casey, & P. Lambiase (2021). . Scientific American, Sept 18.Ìý
2020
Wright, S.E., & Palmer, C. (2020). . Frontiers in Human Neuroscience,Ìý14, 311.Ìý
Mathias, B., Zamm, A., Gianferrara, P.G., Ross, B., & Palmer, C. (2020). . Journal of Cognitive Neuroscience,Ìý32,Ìý1864-1880.
Scheurich, R., Pfordresher, P.Q., & Palmer, C. (2020). . Experimental Brain Research, 238, 81-92.
2019
Scheurich, R., Demos, A., Zamm, A., Mathias, B., & Palmer, C. (2019). Capturing intra-and inter-brain dynamics with recurrence quantification analysis. In A.K. Goel, C.M. Seifert, & C. Freksa (Eds.), Proceedings of the 41st Annual Meeting of the Cognitive Science Society (pp. 2748-2754). Montreal, QC: Cognitive Science Society.
Palmer, C. (2019). A postdoc is not the only career option for new Psychology PhDs. Presented at the WiCS-Canada meeting, Waterloo ON, June.
Lagrois, M.-E., Palmer, C., & Peretz, I. (2019). . Brain Sciences, 9, 1-20.Ìý
Demos, A.P., Layeghi, H., Wanderley, M.M., & Palmer, C. (2019).Cognitive Science, 43.Ìý
Schultz, B.G., & Palmer, C. (2019). . Psychological Research, 83(3), 419–431. doi: 10.1007/s00426-019-01156-8
Mathias, B., Gehring, W.J., & Palmer, C. (2019). . Brain Sciences, 9, 25. doi:10.3390/brainsci9020025
Palmer, C., Spidle, F., Koopmans, E., Schubert, P. (2019). . Quarterly Journal of Experimental Psychology, 72(9), 2272-2287. doi:10.1177/1747021819833968
Palmer, C., & Scheurich, R. (2019). Musicians in action: Solo and ensemble performance. In J. Rentfrow & D. Levitin (Eds), Foundations in Music Psychology: Theory and Research (pp.751-779). Cambridge, MA: MIT Press.
2018
Zamm, A., Wang, Y., & Palmer, C. (2018). . Journal of Biological Rhythms, 33, 432-440. doi: 10.1177/0748730418783651
Scheurich, R., Zamm, A., & Palmer, C. (2018). . Frontiers in Psychology.Ìýdoi:10.3389/fpsyg.2018.00458
Zamm, A., Debener, S., Bauer, A-K.R., Bleichner, M.G., Demos, A.P., & Palmer, C. (2018). . Annals of the New York Academy of Sciences. doi: 10.1111/nyas.13738
Caramiaux, B., Bevilacqua, F., Wanderley, M.M., & Palmer, C. (2018). . PLoS ONE, 13(3): e0193580. doi: 10.1371/journal.pone.0193580
2017
Zamm, A., Palmer, C., Bauer, A.-K. R., Bleichner, M.G., Demos, A.P., & Debener, S. (2017). . Brain Research, doi: 10.1016/j.brainres.2017.07.001
Palmer, C., & Zamm, A. (2017). In M. Lessaffre, M. Leman, P.-J. Maes (Eds), The Routledge Companion to Embodied Music Interaction (pp. 370-379). London: Routledge.
Caramiaux, B., Bevilacqua, B., Palmer, C., & Wanderley, M.M. (2017). . In Proceedings of 4th International Conference on Movement Computing, London UK (MOCO'17). doi: 10.1145/3077981.3078046
Demos, A.P., Carter, D.J., Wanderley, M.M., & Palmer, C. (2017). . Frontiers in Psychology, doi:Ìý10.3389/fpsyg.2017.00149
Mathias, B., Gehring, W. J., & Palmer, C. (2017). . Psychophysiology, 54, 235-247. doi:Ìý10.1111/psyp.12781
2016
Schultz, B.G., O'Brien, I., Phillips, N., McFarland, D.H., Titone, D., & Palmer, C. (2016). . Applied Psycholinguistics, 37, 1201-1220. doi:10.1017/S0142716415000545
Ìý(matlab scripts used in Schultz et al, 2016) and sample .wav file (not used in Schultz et al., 2016).
Mathias, B., Tillmann, B., & Palmer, C. (2016). . Journal of Cognitive Neuroscience, 28, 1111-1126. doi:10.1162/jocn_a_00958
In the news:
Gingras, B., Palmer, C., Schubert, P.N., & McAdams, S. (2016). . Psychology of Music, 44, 847-863. doi: 10.1177/0305735615594491
Zamm, A., Wellman, C., & Palmer, C. (2016). . Journal of Experimental Psychology: Human Perception & Performance, 42, 161-166. doi: 10.1037/xhp0000201
In the news: Find a partner who marches to the beat of your own drum
Livingstone, S.R., & Palmer, C. (2016). . Emotion, 16, 365-380. doi:Ìý10.1037/emo0000106
In the news: Our head movements convey emotions
Mathias, B., Lidji, P., Honing, H., Palmer, C., & Peretz, I. (2016). . Frontiers in Neuroscience, 10, 40. doi: 10.3389/fnins.2016.00040
2015
Van Hedger, S.C., Hogstrom, A., Palmer, C., & Nusbaum, H.C. (2015). . Music Perception, 33, 163-178. Ìýdoi:Ìý10.1525/mp.2015.33.2.163
Livingstone, S.R., Thompson, W.F., Wanderley, M.M., & Palmer, C. (2015). . Quarterly Journal of Experimental Psychology, 68, 952-970. doi: 10.1080/17470218.2014.971034
Maes, P.J., Wanderley, M.M., & Palmer, C. (2015). . Experimental Brain Research, 233, 263-273.
Mathias, B., Pfordresher, P.Q., & Palmer, C. (2015). . Frontiers in Human Neuroscience, 8, 1040. doi: 10.3389/fnhum.2014.01040
Palmer, C. (2015). . Music Perception, 33, 3-11. doi:Ìý10.1525/mp.2015.33.1.3
Zamm, A., Pfordresher, P.Q., & Palmer, C. (2015). . Experimental Brain Research, 233, 607-615. doi: 10.1007/s00221-014-4140-5
Mathias, B., Palmer, C., Perrin, F., & Tillmann, B. (2015). . Cerebral Cortex, 15, 2238-2254. doi:Ìý10.1093/cercor/bhu030
In the news: How the brain recognizes familiar music.
2010-2014
Maes, P.-J., Leman, M., Palmer, C. & Wanderley, M.M. (2014). . Frontiers in Psychology, 4, 1008. doi: 10.3389/fpsyg.2013.01008.
Les effets de l’action sur la perception de la musique. Publié dans Frontiers in Psychology le 03 janvier 2014. doi: 10.3389/fpsyg.2013.01008. Cette traduction est publiée avec l’autorisation de la revue et des auteurs.
Palmer, C., Lidji, P., & Peretz, I. (2014). . Philosophical Transactions of the Royal Society: Biological Sciences, 369, 20130405. doi:Ìý10.1098/rstb.2013.0405
Quinto, L.R., Thompson, W.F., Kroos, C., & Palmer, C. (2014). . Frontiers in Psychology, 5. doi: 10.3389/fpsyg.2014.00262
Brown, R.M., & Palmer, C. (2013). . Frontiers in Human Neuroscience, 7, 320. doi: 10.3389/fnhum.2013.00320
Brown, R.M., Chen, J., Hollinger, A., Penhune, V., Palmer, C., & Zatorre, R. (2013). . Journal of Cognitive Neuroscience, 25, 313-328. doi:Ìý10.1162/jocn_a_00322
Goebl, W., & Palmer, C. (2013). . PLoS One 8: e50901. doi:10.1371/journal.pone.0050901
Palmer, C., & Loehr, J.D. (2013). Meeting of two minds in duet piano performance. In L. F. Bernstein and A. Rozin (Eds.), Musical implications: Essays in honor of Eugene Narmour (pp. 323-338). Hillsdale, NY: Pendragon Press.
Palmer, C. (2013). . In D. Deutsch (Ed.), The Psychology of Music, Third Ed (pp. 405-422). Amsterdam, The Netherlands: Elsevier Press. doi:Ìý10.1016/B978-0-12-381460-9.00010-9
Palmer, C., Spidle, F., Koopmans, E., & Schubert, P. (2013). Temporal coordination in vocal duet performances of musical rounds. In R. Bresin & A. Askenfelt (Eds), Proceedings of the Stockholm Music Acoustics Conference (pp. 678-682), KTH Royal Institute of Technology: Stockholm.
Altenmüller, E., Demorest, S.M., Fujioka, T., Halpern, A.R., Hannon, E.E., Loui, P., Majno, M., Oechslin, M.S., Osborne, N., Overy, K., Palmer, C., Peretz, I., Pfordresher, P.Q., Särkämö, T., Wan, C.Y., & Zatorre, R.J. (2012). . Annals of the New York Academy of Sciences, 1252, 1-16. doi:Ìý10.1111/j.1749-6632.2012.06474.x
Brown, R.M., & Palmer, C. (2012). . Memory & Cognition, 40, 567-578. doi:Ìý10.3758/s13421-011-0177-x
Livingstone, S.R., Palmer, C., & Schubert, E. (2012). . Emotion, 12, 552-567.Ìýdoi: 10.1037/a0023747
Palmer, C., Mathias, B., & Anderson, M. (2012). . Annals of the New York Academy of Sciences, 1252, 185-191. doi:Ìý10.1111/j.1749-6632.2011.06427.x
Pivneva, I., Palmer, C., & Titone, D. (2012). . Frontiers in Psychology, 3, 57. doi:Ìý10.3389/fpsyg.2012.00057
Dalla Bella, S., & Palmer, C. (2011). . PLoS ONE, 6, e20518. doi: 10.1371/journal.pone.0020518
Lidji, P., Palmer, C., Peretz, I., & Morningstar, M. (2011). Entrainment to speech and song. In A. Williamon, D. Edwards, & L. Bartel (Eds.), Proceedings of the International Symposium on Performance Science (pp. 123-128). EAC: Utrecht, The Netherlands.
Lidji, P., Palmer, C., Peretz, I., & Morningstar, M. (2011). Psychonomic Bulletin & Review, 18, 1035-1041. doi:Ìý10.3758/s13423-011-0163-0
Livingstone, S., Palmer, C., Wanderley, M.M., Thompson, W.F., & Lissemore, J. (2011). Facial expressions in vocal performance: Visual communication of emotion. In A. Williamon, D. Edwards, & L. Bartel (Eds.) , Proceedings of the International Symposium on Performance Science (pp. 545-550). EAC: Utrecht, The Netherlands. doi:Ìý10.13140/2.1.3522.1446
Loehr, J.D., & Palmer, C. (2011). . The Quarterly Journal of Experimental Psychology, 64, 2153-2167. doi:Ìý10.1080/17470218.2011.603427
Loehr, J.D., Large, E.W., & Palmer, C. (2011). . Journal of Experimental Psychology: Human Perception and Performance, 37, 1292-1309. doi:Ìý10.1037/a0023102
Pfordresher, P.Q., Keller, P.E., Koch, I., Palmer, C., & Yildirim, E. (2011). . Psychonomic Bulletin & Review, 18, 544-549.
Phillips-Silver, J., Toiviainen, P., Gosselin, N., Piché, O., Nozaradan, S., Palmer, C., & Peretz, I. (2011). . Neuropsychologia, 49, 961-969. doi:Ìý10.1016/j.neuropsychologia.2011.02.002
Mathias, B., Palmer, C., Pfordresher, P.Q., & Anderson, M.F. (2010). Effects of meter and serial position on memory retrieval during music performance. In A. Williamon, D. Edwards, and L. Bartel (Eds.), Proceedings of the International Symposium on Performance Science (pp, 405-410). Utrecht, The Netherlands: European Association of Conservatoires.
2005-2009
Goebl, W., & Palmer, C. (2009). . Music Perception, 26, 427-438. doi:Ìý10.1525/mp.2009.26.5.427
Goebl, W., & Palmer, C. (2009). Finger motion in piano performance: Touch and tempo. In A. Williamon, S. Pretty, & R. Buck (Eds.) , Proceedings of the International Symposium on Performance Science (pp. 65-70). EAC: Utrecht, The Netherlands.
Livingstone, S.R., Schubert, E., Loehr, J.D., & Palmer, C. (2009). Emotional arousal and the automatic detection of musical phrase. In A. Williamon, S. Pretty, & R. Buck (Eds.), Proceedings of the Second International Symposium on Performance Science (pp. 445–450). Utrecht: European Association of Conservatoires (AEC).
Loehr, J.D., & Palmer, C. (2009). . Journal of Motor Behavior, 41, 128-136. doi:Ìý10.3200/JMBR.41.2.128-136
Loehr, J.D., & Palmer, C. (2009). . Music Perception, 26, 415-425. doi:Ìý10.1525/mp.2009.26.5.415
Palmer, C., Koopmans, E., Carter, C., Loehr, J.D., & Wanderley, M. (2009). Synchronization of motion and timing in clarinet performance. In A. Williamon, S. Pretty, & R. Buck (Eds.), Proceedings of the Second International Symposium on Performance Science. Utrecht: European Association of Conservatoires (AEC).
Palmer, C., Jewett, L.R., & Steinhauer, K. (2009). . Annals of the New York Academy of Sciences, 1169, 470-480. doi:Ìý10.1111/j.1749-6632.2009.04584.x
Palmer, C., Koopmans, E., Loehr, J.D., & Carter, C. (2009). . Music Perception, 26, 439-449. doi:Ìý10.1525/mp.2009.26.5.439
Goebl, W., & Palmer, C. (2008). . Experimental Brain Research, 186, 471-479.ÌýÌý
Hutchins, S., & Palmer, C. (2008). . The Journal of Experimental Psychology: Human Perception and Performance, 34, 693-707. doi: 10.1037/0096-1523.34.3.693
Palmer, C. (2008). . Music Perception. 25, 487. doi:Ìý10.1525/mp.2008.25.5.487
Palmer, C., Carter, C., Koopmans, E. & Loehr, J.D. (2007). Movement, planning, and music: Motion coordinates of skilled performance. In E. Schubert, K. Buckley, R. Eliott, B. Koboroff, J. Chen, C. Stevens (Eds.), Proceedings of the International Conference on Music Communication Science (pp. 119-122). Sydney, Australia: University of Western Sydney.
Pfordresher, P.Q., Palmer, C., & Jungers, M. K. (2007). . Cognitive Science, 26, 1-37. doi:Ìý10.1080/03640210709336985
Loehr, J.D., & Palmer, C. (2007). . Experimental Brain Research, 178, 518-528.
Schendel, Z.A., & Palmer, C. (2007). . Memory & Cognition, 35, 640-650.
Dalla Bella, S., & Palmer, C. (2006). Personal identifiers in musicians' finger movement dynamics. Journal of Cognitive Neuroscience, 18, Supplement, G84.
Palmer, C. (2006). The nature of memory for music performance skills. In E. Altenmüller, M. Wiesendanger, J. Kesselring (Eds.), Music, Motor Control and the Brain, pp 39-53. Oxford, UK: Oxford University Press. doi:Ìý10.1093/acprof:oso/9780199298723.003.0003
Palmer, C., & Hutchins, S. (2006). . In B. H. Ross (Ed.), Psychology of Learning and Motivation, 46, pp 245-278. Amsterdam, The Netherlands: Elsevier Press. doi:Ìý10.1016/S0079-7421(06)46007-2
Pfordresher, P.Q., & Palmer, C. (2006). . Perception & Psychophysics, 68, 362-376.
Palmer, C. (2005a). . Current Directions in Psychological Science, 14, 247-250. doi:Ìý10.1111/j.0963-7214.2005.00374.x
Palmer, C. (2005b). . Annals of the New York Academy of Sciences, 1060, 360-367. doi:Ìý10.1196/annals.1360.030
Earlier work
Highben, Z., & Palmer, C. (2004). Effects of auditory and motor mental practice in memorized piano performance. Bulletin of the Council for Research in Music Education, 159, 58-65.
Palmer, C., & Dalla Bella, S. (2004). . Journal of the Acoustical Society of America, 115, 2590. doi:Ìý10.1121/1.4784407
Finney, S. A., & Palmer, C. (2003). . Memory & Cognition, 31, 51-64.
Meyer, R. K., & Palmer, C. (2003). . Music Perception, 21, 81-104. doi:Ìý10.1525/mp.2003.21.1.81
Palmer, C., & Jungers, M.K. (2003). Music cognition. In L. Nadel (Ed.), Encyclopedia of Cognitive Science, 3, 155-158.
Palmer, C., & Pfordresher, P.Q. (2003). . Psychological Review, 110, 683-712. doi:Ìý10.1037/0033-295X.110.4.683
Jungers, M. K., Palmer, C., & Speer, S.R. (2002). Time after time: the coordinating influence of tempo in music and speech. Cognitive Processing, 1, 21-35.
Large, E.W., & Palmer, C. (2002). . Cognitive Science, 26, 1-37. doi:Ìý10.1207/s15516709cog2601_1
Pfordresher, P.Q., & Palmer, C. (2002). . Psychological Research, 16, 71-79.
Palmer, C., Jungers, M.K., & Jusczyk, P.W. (2001). . Journal of Memory and Language, 45, 526-545. doi:Ìý10.1006/jmla.2000.2780
Drake, C., & Palmer, C. (2000). . Cognition, 74, 1-33.
Palmer, C., & Meyer, R.K. (2000). . Psychological Science, 11, 63-68. doi:Ìý10.1111/1467-9280.00216
Palmer, C., & Pfordresher, P.Q. (2000). From my hand to your ear: the faces of meter in performance and perception. In C. Woods, G. Luck, R. Brochard, F. Seddon & J. A. Sloboda (Eds.) Proceedings of the 6th International Conference on Music Perception and Cognition. Keele, UK: Keele University.
Palmer, C. (1997). . Annual Review of Psychology, 48, 155-138. doi:Ìý10.1146/annurev.psych.48.1.115
Palmer, C., & van de Sande, C. (1993). . Journal of Experimental Psychology: Learning, Memory andÌýCognition, 19, 457-470. doi:Ìý10.1037/0278-7393.19.2.457
Palmer, C. (1989). Journal of Experimental Psychology: Human Perception and Performance, 15, 331-346. doi:Ìý10.1037/0096-1523.15.2.331